RED SCARLET is a completely flexible device, utilizing HDRx® and interchangeable lens mounts so you don't have to replace your existing lens collection.  Shoot motion video and stills images at 5K resolution up to 12 frames per second, or up to 30 frames per second at 4K.  When you shoot with SCARLET-X MYSTERIUM-X, you are also capturing over 6x more pixels than HD for superior motion capture.  With the convergence of cinema and photography, SCARLET provides all the tools necessary for filmmakers and photographers alike. HDRx technology yields up to 18 stops of dynamic range, broadening your exposure in even the most challenging lighting conditions. SCARLET offers up to 4 more stops of latitude than 35mm helping cinematographers and photographers alike make the impossible possible.  With HDRx, dynamic range is finally dynamic. 

Features

• Pixel Array: 5120 x 2700 pixels
• Max Image Area: 5120 (h) x 2700 (v) (for 5K stills)
• Sensor Type: 14 megapixel Mysterium-X
• Acquisition Formats: 5K FF REDCODE RAW (Full Frame), 4K HD REDCODE RAW, 3K HD REDCODE RAW, 1080p REDCODE RAW,1K   REDCODE RAW
• Recording media: REDMAG (SSD) Modules in 64, 128, 256, 512GB sizes.
• Lens Mount: Al Canon EF (PL mount optional)
• Display: RED LCD 5" Touchscreen Display, BOMB EVF™ High Definition Viewfinder
• Microphone/Audio: 2 channel, uncompressed, 24 bit, 48KHz
• Connectivity: HD-SDI, HDMI, 24-bit 48Khz Audio
• Screen Size: 5” inches
• Frame Rates: All formats: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps
• Dynamic Range: 13.5 stops, as many as 18 stops for HDRx 6 fps with 5K FF and HDRx on 15 fps 

Cinema Cameras on RENT

The Blackmagic Design Production Camera 4K features a Super 35mm sized image sensor with a global shutter and a Canon EF lens mount. The camera is capable of recording Ultra HD 4K (3840x2160) and 1080p video using the 10-bit Apple ProRes 422 family of codecs, as well as the visually lossless, compressed 12-bit CinemaDNG RAW at 4000x2160 resolution. The built-in recorder utilizes removable 2.5" SSDs, which enable the high data rates required by RAW and 880Mbps ProRes HQ. The camera's ability to expose for 12 stops of dynamic range lends the image a truly film-like look, and the Super 35mm (21.12 x 11.88mm) sized sensor approximates the standard of traditional film.

The Blackmagic Production Camera 4K retains the beautifully crafted design and machined aluminum chassis of the original Blackmagic Cinema Camera. Much like its predecessor, this camera features a 5" touchscreen LCD display with 800 x 480 resolution, which enables monitoring and playback as well as an efficient means for navigating the menu and entering metadata. The camera also includes a full license for DaVinci Resolve color grading software and UltraScope for live scopes via a Thunderbolt connection.

Customer Studies

Receive a ranked and prioritized list of your customers’ wants and needs.

EPIC ushers in the next generation of digital cinema, featuring a 5K sensor capable of capturing 1 to 120 frames per second at full resolution. From fashion spreads to 3D IMAX features, EPIC has crossbred elite photography with unrivaled cinema capability—all in a camera the size of a DSLR. In challenging lighting conditions, EPIC makes it easy to adapt with its ability to reach up to 18 stops of dynamic range with HDRx. Remarkable technology packed into a 5lb body - with EPIC, less is more.

Features

Sensor: 14 megapixel
Pixel Array: 5120 (h) x 2700 (v)
Dynamic Range: 13.5 stops, up to 18 stops with HDRx
Max Image Area: 5120 px (h) x 2700 px (v)
Lens Coverage: 27.7 mm (h) x 14.6 mm (v) x 31.4 mm (d)
Acquisition Formats: 5K raw (full frame, 2:1, 2.4:1, and anamorphic 2:1), 4.5K raw (2.4:1), 4K raw (16:9, HD, 2:1, and anamorphic 2:1), 3K raw (16:9, 2:1, and anamorphic 2:1), 2K raw (16:9, 2:1, and anamorphic 2:1), 1080p RGB (16:9), 720P RGB (16:9)
REDCORDING FRAME RATES 1 1–120 fps @ 5K 
1–150 fps @ 4K 
1–200 fps @ 3K 
1–300 fps @ 2K
DELIVERY FORMATS 
4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 
2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)  
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG  
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4